Articles

Ubiquity
Volume 2025, Number February (2025), Pages 1-10
Communication Corner: How to Generate Reader Interest in What You Write
Philip Yaffe
DOI: 10.1145/3721087
Each "Communication Corner" essay is self-contained; however, they build on each other. For best results, before reading this essay and doing the exercise, go to the first essay "How an Ugly Duckling Became a Swan," then read each succeeding essay.
Who has not discovered to their dismay that no one wants to read their most carefully crafted, meritorious, compelling, and passionate writings? Think of all the proposals you have written that no one was interested in. Or the web pages, the blog posts, news releases, company brochures, etc. that fell flat. Chances are, such mishaps are linked to producing texts that fail to connect with what your readers would be interested in reading.
This article was originally published by Ubiquity in 2009 as a single contribution. It is now being republished as part of Communication Corner, the author's interrelated series of essays curated to help computer professionals communicate more effectively with each other and the general public.
Scientists and technologists today increasingly recognize the need to write in order to convey interest and excitement in what they are doing to colleagues, managers, administrators, and even the general public. Unfortunately, most would-be authors cling to the myth that if they just put in enough effort, people will automatically want to read what they write.
Professionals (those who make a living from their words) know otherwise. For them, effective writing consists of two stages:
- First, grabbing the reader's attention in such a way they will instantly believe that the text is worth their time and effort to read.
- Second, making certain that it truly is.
The first step of course is crucial. If you don't succeed at the beginning, it doesn't matter how good the rest of the text is. It will not be read.
Grabbing attention cannot be achieved by telling readers that your text is "important", therefore they should read it. Of course you are going to say that. After all, you wrote it.
To successfully grab attention, you must look at the text from the reader's point of view, i.e. understand and apply a bit of reader psychology.
The fundamental purpose of expository texts (memos, proposals, reports, research papers, training manuals, etc.) is generally to instruct and inform. However, most people don't like to be instructed and informed; they probably would much prefer to be doing something else.
In short, no one necessarily wants to read what you write, no matter how much effort you are prepared to put into it.
This dreary description of the unreceptive nature of the audience may seem a rather negative note on which to set about one's work. But is it really? If it is a realistic assessment of the situation, then it is the best starting point for defining and achieving a text's objectives.
To produce a truly effective document, before doing anything else, you must:
- Define reasons why people might want to read what you are going to write.
- Present these reasons as rapidly and convincingly as possible.
Recognizing and acting on the idea that no one wants to read what you write is known as the "expository writing challenge." The importance of the expository writing challenge cannot be overstated, because it can completely transform the way you approach your subject. And the success it achieves.
AN EXTRAORDINARY EXAMPLE
You will probably never have occasion to write a corporate image brochure. However, an analysis of how they are composed provides a telling example of the power of the expository writing challenge in action.
Two things are certain about these expensive, glossy booklets. First, almost all companies of any size feel compelled to produce them. Second, virtually no one ever reads them. Not even the company's own employees.
It is not difficult to understand why. It's in the name. Most such brochures are far too concerned with "image," i.e. making the company look good, rather than with communicating with readers. So why should people read it?
But it doesn't have to be that way. Some years ago, I was commissioned to write a corporate image brochure for a pharmaceutical company. When it was printed, not only did people read it, but they also actually called the company to request additional copies to give to friends, clients, and professional colleagues.
How was this miracle achieved? You guessed it, by rising to the expository writing challenge. Starting from the assumption that no one would want to read anything about the company, I and my colleagues (it was a brainstorming) asked ourselves: What things does this company do that people might want to read about?
Its basic activity was producing vaccines. Most of us are naturally interested in health, and virtually everyone knows the importance of vaccination, for themselves but especially for their children. Here were already two things people might want to read about.
We were given the assignment in the mid-1980s, just when a strange new term—"genetic engineering"—was beginning to appear more and more in newspaper headlines. According to the reports, this new technique would revolutionize medicine, so people were becoming more and more interested in learning what it was all about. This was a third topic of broad general interest.
To make a long story short, we defined seven areas of the company's activities that would be naturally attractive to potential readers. However, it didn't stop there. If all this exciting information were jumbled together with company propaganda, people probably still wouldn't want to read the brochure despite their natural inclination to do so.
We therefore made a daring proposal. The brochure would be laid out in seven double-page spreads, i.e. each of the seven areas of activity would be allotted two facing pages. But the text would be rigorously segregated:
- Theory
The left page would be pure science; the company's name would never even be mentioned. - Practice
The right page would explain how the company used the science explained on the left to produce vaccines.
When we presented the concept, the reaction was one of shock. "You mean people could read the brochure left side only and never even see our name?" Exactly. But having learned about the basic science, wouldn't they naturally want to learn how the company was using the science to produce safe, effective, and (relatively) inexpensive vaccines?
It took a while for management to accept the proposal, but finally they did. When the brochure was ready, they couldn't print enough of them.
Of course, not all companies would be suitable for this particular type of corporate image brochure. The important idea here is not this particular brochure, but the thinking process that led to it.
I subsequently wrote several other corporate brochures. None of them had quite the same overwhelming impact. However, all of them received positive feedback. Not only from the company's management, but from the people who really count—the readers for whom they were intended.
The next time you sit down to compose a text (a corporate brochure or otherwise), ask yourself the question: I know that no one wants to read what I am going to write, so how can I write something they will want to read? Until you can find at least one good answer (preferably more), keep your hands away from the keyboard. You are simply not yet ready to start writing.
TECHNIQUES FOR GRABBING READER ATTENTION
If you have fully accepted the expository writing challenge (no one wants to read what you are going to write), then you have also accepted that the writer's first task, which is: Before anything else, give readers reasons to read.
But once you have defined these (have two or three, one is seldom enough), how do you present them? There are several ways of doing this.
The following examples show the beginning of an extensive article on hay fever. Note that once you get beyond the "lead" (first few paragraphs), the remaining information in all five versions is essentially the same.
1. Ask questions.
(Few people can resist trying to see if they know the answer to a question. This lead asks three questions about hay fever. Readers who are not certain about an answer—or certain they don't know the answer—are likely to be motivated to read further.)
Did you know that hay fever is not a fever? That it has essentially nothing to do with hay? And that it is much more common in cities than in the countryside?
In short, the term "hay fever" is very misleading. As every hay fever sufferer knows, the symptoms—sneezing, running nose, itchy and watering eyes, etc.—more closely resemble a cold than they do a fever. The French come closer to the truth by calling it "hay cold" (rhume des foins).
Also, as every sufferer knows, hay fever is an allergic reaction to pollen, the fine powder (usually yellow) which plants disperse in the wind as part of their reproductive cycle. It can be triggered by the pollen of any number of plants, including weeds, grasses, and trees. In Scandinavia, the culprit is most often birch; in the United Kingdom, grass; and in southern Europe, olive and cypress trees. The leading trigger for hay fever in the United States is ragweed.
For these and other reasons, doctors refer to hay fever as "seasonal rhinitis" when it affects mainly the nose, or "seasonal rhino-conjunctivitis" when it affects both the eyes and nose.
The pollen origin of hay fever was first demonstrated in 1873 by Dr. Charles Blackley, himself a hay fever sufferer. The affliction is commonly called hay fever because the annual outbreak of symptoms for many allergic persons coincides with the hay harvest.
But if hay fever is caused by pollen, why should it be more common in cities than in the countryside?
The reasons are rather complex, but some observers believe it is a direct consequence of the Industrial Revolution. Before the 18th century, very little mention was made in the medical literature of hay fever. However, as rural populations became urbanized, hay fever became increasingly prevalent. Today it is believed to affect from 10–12%of the populations in Europe and North America, largely in cities.
Knowing the source of an illness is the first step toward finding an effective treatment. However, it is also necessary to know how it produces its symptoms.
2. Suggest a contrast or paradox.
(The terms "contrast" and "paradox" are closely related. A "contrast" is something that is commonly accepted as true but may not be so, or is at the extreme ends of a continuum, e.g. kilograms versus. milligrams, mountains versus molecules, millennia versus minutes, etc. A "paradox" is something that appears to be impossible.)
Despite being a so-called "minor medical condition," hay fever is both severely incapacitating and appallingly misnamed.
It is so incapacitating because the annual attack (April–August) can greatly disrupt the victim's ability to study or work. It also brings misery and isolation during the spring and summer, the two most "sociable" seasons of the year.
It is so misnamed because the term "hay fever" is misleading. As every sufferer knows, the symptoms—sneezing, running nose, itchy and watering eyes, etc.—more closely resemble a cold than they do a fever. The French come closer to the truth by calling it "hay cold" (rhume des foins).
Another reason for disavowing the term: The name "hay fever" suggests it is an illness of the countryside. The reality is hay fever is much more common in cities. In fact, some observers believe it is a direct consequence of the Industrial Revolution.
3. Provide concentrated information.
(You may not know what will interest an individual reader. However, by putting a lot of clear, concise, dense information right at the beginning, you can be virtually certain that every reader will find something to attract his or her attention.)
Hay fever, hardly known to our great-great-grandparents, today affects up to 12% of people in Europe and North America, and the trend is still upwards. Although considered a "mild medical condition," the watery eyes, running nose, incessant sneezing, etc., for several months each year can be extremely debilitating for both social and economic life. Absenteeism and reduced productivity in Europe and North America cost businesses an estimated U.S. $4.2 billion annually, a burden that is expected to rise to $6.8 billion by the end of the decade.
The term "hay fever" is in fact very misleading. As every sufferer knows, the symptoms—sneezing, running nose, itchy and watering eyes, etc.—more closely resemble a cold than they do a fever. The French come closer to the truth by calling it "hay cold" (rhume des foins).
Also, as every sufferer knows, hay fever is an allergic reaction to pollen, the fine powder (usually yellow), which plants disperse in the wind as part of their reproductive cycle. It can be triggered by the pollen of any number of plants, including weeds, grasses, and trees. In Scandinavia, the culprit is most often birch; in the United Kingdom, grass; and in southern Europe, olive and cypress trees. The leading trigger for hay fever in the United States is ragweed.
For these and other reasons, doctors refer to hay fever as "seasonal rhinitis" when it affects mainly the nose, or "seasonal rhino-conjunctivitis" when it affects both the eyes and nose.
4. Make a microcosm into a universe.
(Something that appears to be of little or no general interest can be made more vital by putting it into a broader cultural, political, social, economic, or philosophical context. The power of this technique can often be reinforced by introducing the subject with an appropriate quotation.)
"A splinter in the finger can hurt more than a broken leg—if all you have is a splinter in the finger"—Anonymous
It is very difficult to judge someone else's pain and discomfort, which is why to some people hay fever seems funny (non-sufferers) and to others it can be deadly serious (suffers).
Granted, the individual symptoms—sneezing, running nose, itchy and watering eyes, etc.—by themselves are not devastating. However, their constant repetition over several months every year (April–August) can make life virtually unbearable.
To many hay fever sufferers, its classification as a so-called "minor medical condition" seems grossly inadequate. Not only does its annual attack cause personal pain and discomfort, but it can also greatly disrupt the victim's ability to study or work. It also brings misery and isolation during the spring and summer, the two most "sociable" seasons of the year.
Hay fever really shouldn't be called hay fever at all; the symptoms more closely resemble a cold than they do a fever. The French come closer to the truth by calling it "hay cold" (rhume des foins). This is one reason doctors prefer to call it "seasonal rhinitis" when it affects mainly the nose, or "seasonal rhino-conjunctivitis" when it affects both the eyes and nose.
Another reason for disavowing the term: The name "hay fever" suggests it is an illness of the countryside. The reality is hay fever is much more common in cities. In fact, some observers believe it is a direct consequence of the Industrial Revolution.
Hay fever is only indirectly related to hay. It can be triggered by any number of plants, including weeds, grasses, and trees. In Scandinavia, the culprit is most often birch; in the United Kingdom, grass; and in southern Europe, olive and cypress trees. The leading trigger for hay fever in the United States is ragweed.
5. Personalize the situation.
(There's a newspaper adage that says: "One person killed in an earthquake is a tragedy; a thousand persons killed in an earthquake is a statistic." People like to hear about other people, as individuals. Therefore, if you can personalize a situation, you will gain reader interest.)
When Mary woke up that morning, the birds were singing, the sun was shining, and the sky was blue. Just the sort of day that makes you want to say, "It's good to be alive." She then noticed a slight yellowish haze in the sky, so instead she said, "I wish I were dead!"
The haze was pollen; hay fever season had begun. Instead of the promise of a wonderful day, Mary now faced the certainty of sneezing, a running nose, itchy and watering eyes, and other symptoms associated with her annual allergic disease.
She was not alone. Each year, more and more people suffer from hay fever. Hardly known to our great-great-grandparents, today it affects up to 12%of people in Europe and North America, and the trend is still upwards.
Although considered a "mild medical condition", hay fever can be extremely detrimental because the annual attack (April-August) can greatly disrupt the victim's ability to study or work. It also brings misery and isolation during the spring and summer, the two most "sociable" seasons of the year.
Hay fever really shouldn't be called hay fever. As every sufferer knows, the sneezing, running nose, itchy and watering eyes, and other discomforts the disease engenders more closely resemble a cold than they do a fever. The French come closer to the truth by calling it "hay cold" (rhume des foins). This is one reason doctors prefer to call it "seasonal rhinitis" when it affects mainly the nose, or "seasonal rhino-conjunctivitis" when it affects both the eyes and nose.
This list is not a grab bag. The particular device you choose among these five and numerous other possible opening gambits will depend on your analysis of what the readers really want to read. Therefore, you will have considerable thinking to do before you strike a key. However, guided by the expository writing challenge, you will find that over time the process will become easier and easier, and more and more satisfying for both you and your readers.
Author
Philip Yaffe was born in Boston, Massachusetts, in 1942 and grew up in Los Angeles, where he graduated from the University of California with a degree in mathematics and physics. In his senior year, he was also editor-in-chief of the Daily Bruin, UCLA's daily student newspaper. He has more than 40 years of experience in journalism and international marketing communication. At various points in his career, he has been a teacher of journalism, a reporter/feature writer with The Wall Street Journal, an account executive with a major international press relations agency, European marketing communication director with two major international companies, and a founding partner of a specialized marketing communication agency in Brussels, Belgium, where he has lived since 1974. He is the author of more than 30 books, which can be found easily in Amazon Kindle.
This work is licensed under a Creative Commons Attribution International 4.0 License. Copyright 2025 is held by owner/author.
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